Who is cinna the conspirator in julius caesar

Brutus is a politician who is devoted to the Roman republic. He is married to Portia. Cassius is a politician and an old friend of Brutus. He wants to overthrow Caesar. Caesar is the most powerful man in Rome and its ruler. He is a general and is married to Calphurnia. Antony is a politician and a general. He is a loyal friend of Caesar.

Portia is married to Brutus. Her father, Cato, was a nobleman who was known for his integrity. Calphurnia is married to Caesar. In the play Julius Caesar, he is one of the key conspirators to plan Caesar's death. He is the one who first plants the idea of inviting Marcus Brutus to join their cause: he suggests this to Cassius. Cassius manipulates Brutus to help their conspiracy with Cinna's help - Cinna plants letters where Brutus is sure to see them, read them, and be manipulated by them.

Unfortunately for the poet Cinna, he shares the same name as this key conspirator. He arrives late to the funeral of his friend Caesar, wishing to honour his passing. After the assassination has been carried out, Brutus delivers a speech explaining that the conspiracy was done for the betterment of the city and all those who dwell within it.

However, Mark Antony raises the citizens of Rome against the assassins of their emperor Julius Caesar, naming one of them as Cinna. Cinna the poet attempts to explain that it is not he who was part of the conspiracy, that he is but a poet, but the populace ignore him - 'It is no matter, his name's Cinna.

Cinna's terror is evident in his confused response. This is the realm of mob rule. More interesting, however, is why Shakespeare chose to have the plebeians attack an artist. Cinna the poet is being asked to account for himself, not only as a citizen, but as a poet, and he does not pass muster.

The plebeians initially attack him as a conspirator, but when they find out who he really is, they are still perfectly prepared to kill him, this time "for his bad verses. He is asking the reader to examine the position of the poet in this society. To whom must the artist account for his work? What responsibility does he have in making a good and well-ordered society?

Who is best able to judge him?